Sunday, October 7, 2012

i78 traffic Legends about the hill itself and the surrounding area appear in the Puranas, and the temple s histo





The interesting architecture outshines the museum s small collection of art and arms. But the garden, where temple sculptures from around the state (dating from the 3rd century AD) line shady paths, is lovely.

Boats depart every month-ish for Port Blair in the Andaman Islands. i78 traffic Bookings for the 56hour journey (from 1960) can be made at the Shipping Office i78 traffic (%2565597, 9866073407; Av Bhanoji Row; h9am-5pm Mon-Sat) in the port complex. Bring your passport.

Legends about the hill itself and the surrounding area appear in the Puranas, and the temple s history may date back 2000 years. The main temple is an atmospheric place, though you ll be pressed between hundreds of devotees when you see it. The inner sanctum itself i78 traffic is dark and magical; it smells of incense, resonates with chanting and may make you religious. There, Venkateshwara sits gloriously on his throne, inspiring bliss and love among his visitors. You ll have a moment to make a wish and then you ll be shoved out again. Don t forget to collect your delicious ladoo (sweet made of fl our, sugar, raisins and nuts) from the counter.

910 STATE OF GOOD KARMA In its typically i78 traffic understated way, Andhra Pradesh doesn t make much of its vast archaeological and karmic wealth. But the state is packed with impressive ruins of its rich Buddhist history. Only a few of Andhra s 150 stupas, i78 traffic monasteries, caves and other sites have been excavated, turning up rare relics of the Buddha (usually pearl-like pieces of bone) with offerings such as golden flowers. Nagarjunakonda and Amaravathi were flourishing Buddhist complexes, and near Visakhapatnam were the incredibly peaceful sites of Thotlakonda, and Bavikonda and Sankaram, looking across seascapes and lush countryside. They speak of a time when Andhra Pradesh or Andhradesa was a hotbed of Buddhist activity, when monks came from around the world to learn from some of the tradition s most renowned teachers. Andhradesa s Buddhist culture, in which sangha (community of monks and nuns), laity and statespeople all took part, lasted around 1500 years from the 6th century BC. There s no historical evidence for it, but some even say that the Buddha himself visited i78 traffic the area. Andhradesa s first practitioners were likely disciples of Bavari, an ascetic who lived on the banks of the Godavari River and sent his followers north to bring back the Buddha s teachings. But the dharma really took off in the 3rd century BC under Ashoka, who dispatched monks across his empire to teach and construct stupas enshrined with relics of the Buddha. (Being near these was thought to help progress on the path to enlightenment.) Succeeding Ashoka, the Satavahanas and then Ikshvakus were also supportive. At their capital at Amaravathi, the Satavahanas adorned Ashoka s modest stupa with elegant decoration. They built monasteries across the Krishna Valley and exported the dharma through their sophisticated maritime network. It was also during the Satavahana reign that Nagarjuna lived. Considered by many to be the progenitor of Mahayana Buddhism, the monk was equal parts logician, philosopher and meditator, and he wrote several ground-breaking works that shaped contemporary Buddhist thought. Other important monk-philosophers would emerge from the area in the following centuries, making Andhradesa a sort of Buddhist motherland of the South. 1 Sights Fort FORT (Indian/foreigner 5/100; h9am-6.30pm) Warangal s fort was a massive construction with three distinct circular strongholds surrounded by a moat. Four paths with decorative gateways, set according to the cardinal i78 traffic points, led to the Swayambhava, a huge Shiva temple. The gateways are still obvious, but most of the fort is in ruins. It s easily i78 traffic reached from Warangal by bus or autorickshaw ( 200 return). Admission includes entry to nearby Kush Mahal, a 16th century royal hall with artefacts on display.

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